An Unforgettable Double Date with Andrea Gibson & Megan Falley
September 28, 2023
Glennon Doyle:
Welcome pad squad to an unbelievably beautiful hour. You are about to be changed by these two people individually, and by their love together. Today we have Andrea Gibson and Megan Falley. If you have not yet listened to episode 215, the bravest conversation we’ve had with Andrea Gibson, please do go back and listen to that. In that episode, Andrea Gibson shared with us a devastating diagnosis. They have a very important update to that diagnosis in today’s episode. Andrea Gibson, a boulder based queer activist, author and slam poet who has just been named Colorado’s new poet laureate. Y’all, I mean, poet laureate is essentially the state’s arts ambassador, serving as an active advocate for poetry, literacy and literature. Andrea will be participating in readings at schools, libraries, festivals, other events across the state. It’s just a huge freaking deal.
Glennon Doyle:
And I guess, that makes Megan the first lady of Colorado now. Andrea is the author of seven books. Most recently, You Better be Lightning. Megan Falley is a nationally ranked slam poet, and the author of three full length collections of poetry. Most recently, her book Drive Here and Devastate Me. Since transitioning to writing prose, excerpts from her memoir in progress have won several first and second place national prizes. She runs an online writing workshop called Poems That Don’t Suck, which has been heralded as a degree’s worth of education in five short weeks. Andrea and Megan.
Abby Wambach:
Hi, y’all. I feel nervous like we’re actually on a date.
Glennon Doyle:
Yeah, that’s what Abby keeps saying this morning. She’s like, I feel like we are actually going on a double date where we would actually be friends with these people. What did you say? She goes, “What if they don’t like us?”
Abby Wambach:
Yeah, what if they don’t like us? What if I say something silly and dumb, which is likely.
Megan Falley:
That’s usually my role.
Glennon Doyle:
Is it?
Megan Falley:
I occupy that corner of the internet.
Glennon Doyle:
Me too. Me too.
Megan Falley:
So you are off the hook, my friend.
Abby Wambach:
Oh, my gosh.
Glennon Doyle:
Recently, my job is to follow Abby around and correct everything that she says that’s not politically correct, even if we’re just by ourselves in the living room. So I’m a good time. But the other day she said something and I said, “We don’t say that anymore.” And she said, “I’m sorry, it’s just really hard to teach an old dog new tricks.” And I said, “We don’t say that anymore. That’s offensive to old dogs.” And she goes, “Oh, my God, I’m so sorry. Of course it is.”
Megan Falley:
One of our first arguments was when I called my senior dog geriatric, and Andrea, we learned the term is actually super adult. So don’t worry, Abby.
Abby Wambach:
I didn’t know about that.
Andrea Gibson:
We wrote a poem about it together that we performed on stage. I don’t know why I thought geriatric was a problem. I don’t know if it is, but-
Megan Falley:
It’s your internalized ageism.
Andrea Gibson:
Maybe. Maybe you’re right. See, I have the same thing, Abby. And the other thing that happens with me is, I don’t know many words, so Meg follows me around the house, trying to teach me words.
Glennon Doyle:
Oh, that also sounds fun for you.
Abby Wambach:
I mean, how is that even possible? You’re a poet. I don’t believe that. I don’t believe that for a second.
Andrea Gibson:
That’s true. When I published my first book, the publisher wrote me right before it was going to print, and he said, “Andrea, I want you to know that every poem in this book has the same words, and it just rearranged in a different order.” And I said, “Well, that’s because those are the only words I know, Derek.”
Abby Wambach:
That’s amazing.
Glennon Doyle:
So you two, this is going to be interesting, because I know everything about you two, because of course I was prescribed Andrea’s poetry by my actual doctor. And then in preparation for this, I had not read Megan before. I cannot believe how beautiful your work is. Last week I went out onto my little deck and started reading your books, all of them. I had three of them, and I came back in, what, seven hours later, and I was so sunburned. Do you remember that?
Abby Wambach:
I mean, we literally went on vacation all last week, and she was like, “Everybody put their sunscreen on.” And then we come home for one day, and she comes in like a fresh tomato.
Glennon Doyle:
Megan, it’s just so freaking good. You are so good, you two. I mean, my God, first of all, talk to us about how you met. So you Megan, posted something on Facebook in 2011 that said, “I’m really fucking excited for Andrea Gibson”, which meant that you were going to what? Take us back to then.
Megan Falley:
It was a show that I was going to see of Andrea’s that I had been taken part in raising or organizing. And so yeah, it was a little bit of my promo, but at the time when I approached Andrea to do it, felt very, this was completely platonic what I was saying. I was just excited for the poetry at the time. But in retrospect, I like looking at that.
Glennon Doyle:
My God.
Abby Wambach:
Yes. Okay Andrea, when did you figure out that there was something going on between maybe Megan and you? How did it all work? What was the deal?
Andrea Gibson:
So Megan and I, we were both in the poetry scene. So we had been friends for years and we were doing weird stuff together. If I was on tour and she was living in New York, I would come to her house and we would do dance routines and make up parody songs and stuff like that. But I think that-
Abby Wambach:
As you do.
Andrea Gibson:
… I had the hots for Meg long before she had any feelings for me. Yeah.
Glennon Doyle:
No way.
Andrea Gibson:
And I think that it was unexpected. I typically were… How do I put this? I typically was attracted to women who were older than me or much older than me. I was attracted to super adults. I still find super adults very beautiful, but I had never been attracted to somebody this much younger than me. I mean, how old am I?
Megan Falley:
48.
Andrea Gibson:
I’m at the age where Meg has to tell me how old I am.
Glennon Doyle:
I get it.
Andrea Gibson:
And Meg is 35. And so yeah, it was surprising to me. And do you want to take over from here?
Megan Falley:
It too was surprising to me. We’d been friends for a long time, and then we were on a dance floor in Oakland after the National Poetry Slam, and I’m dancing with Andrea who, you can’t really dance with Andrea so much as it’s like a fire fly experience, like creatures dancing around each other. You can’t touch it or something. There’s some kind of force field happening. It’s great. I love it. So yes, we’re fire flying around each other on the dance floor when, and I am very enthusiastic in my dancing, which is a euphemism for I sweat a lot, and Andrea suddenly runs their hands down my sweat slicked arms and then licks the palm of their hands.
Abby Wambach:
That is a move.
Andrea Gibson:
Yes, it was.
Megan Falley:
It’s one of a kind. It’s one of a kind.
Abby Wambach:
I’ve never heard of this move.
Megan Falley:
No, no, I don’t think it’s been done.
Abby Wambach:
And never to be done again.
Megan Falley:
They shouted above the crowd, “The last person I was with that was this sweaty I was having sex with” and then licking their hands. So I thought, huh, I think something’s happening.
Andrea Gibson:
Well, this is not a move I had tried before, nor was it a move I had thought about the second before I did it. It just happened. And then she for some reason followed me back to the hotel, because the move worked.
Abby Wambach:
That’s right.
Glennon Doyle:
Yeah, it did.
Andrea Gibson:
The next day I woke up with what I would later find out was Giardia.
Abby Wambach:
Are you serious?
Andrea Gibson:
So listen, I was doing a live Reddit interview, and my friend was having to type from the living room while I sat on the toilet and hollered the answers to her. And I kept saying to my friend, I kept saying, “Megan gave me Giardia.” And my friend kept saying, “Nope, I think you got Giardia from licking the length of your hands in a nightclub.”
Abby Wambach:
Yes, that’s probably right.
Megan Falley:
She was a good friend and she was actually the one I told, I was like, this really weird thing happened with Andrea. I told her right away. And she’s like, “I’m not surprised. Andrea has had a crush on you for two years or something.” I was like, “What?” It was not in my field of consciousness that, that would’ve occurred, and then my life changed.
Andrea Gibson:
She didn’t know a super adult would have the huts for her, I guess.
Glennon Doyle:
Right, now we know why you were sensitive about that word.
Andrea Gibson:
Yeah.
Glennon Doyle:
Where you stand now, it’s full circle.
Abby Wambach:
So you were in your mid to early 20s, Megan, at the time?
Megan Falley:
I was 27 and Andrea was 39, I think. Something like that.
Abby Wambach:
Yeah. Okay. I am amazed by that move. I’m just going to say it. Never have I ever done that.
Glennon Doyle:
You’ve met your match, Abby Wambach. You’ve met your match.
Abby Wambach:
I mean, wow.
Megan Falley:
I feel like the listeners should maybe not try that at home, because I can’t think of another person who would’ve done that, that I would’ve allowed this to move forward.
Abby Wambach:
That’s right.
Megan Falley:
It might be special to Andrea to pull that one off.
Andrea Gibson:
I was reading the room of you.
Glennon Doyle:
But isn’t it, don’t you…? Because there was some poem or post or now I don’t even know what it was, but you were saying you marked that as the beginning of your relationship, and it’s like an anniversary the night that you licked the sweat off of Megan.
Megan Falley:
Yes, I have the longitude and the latitude of the club tattooed on my arms.
Glennon Doyle:
Okay, so it wasn’t an original idea. I told you it was Megan’s idea.
Abby Wambach:
I know.
Glennon Doyle:
Okay, I told Abby I wanted us to get that recently, so we’re already copying you. But I told you that was Megan’s idea. Did I try to pass that off as mine?
Abby Wambach:
No.
Glennon Doyle:
Oh, good.
Abby Wambach:
You told me it was their idea, for sure.
Glennon Doyle:
Okay, so you know you have the huts for each other, you know it’s very much working out physically, but when do you start talking about, is this real? Are we going to make this a lifetime romantic friendship? What are the conversations like?
Andrea Gibson:
Well, I’d already decided it was a lifetime romantic situation. I had just planned to be celibate and single for a year right before that happened.
Abby Wambach:
Of course.
Andrea Gibson:
And so, I told her that and we actually didn’t really touch until, I didn’t make it a year, I made it 11 months. And 11 months later… Do you remember the details in between? 11 months later, what am I forgetting?
Megan Falley:
Well, one night Andrea whispered, I came to visit and slept in Andrea’s bed, but we didn’t touch. And they whispered, “I’m not going to kiss you till I’m 40.” And they were two months away from being 40 or something. So it had a buildup, for sure.
Andrea Gibson:
And then when I finally asked her on a date, I texted her, “Would you like to go on a date sometime?” And Meg responded-
Megan Falley:
“Sure. With who?”
Andrea Gibson:
“… with who?” And she asked me the moment when I fell in love with her, and I think that was it when she wrote back, “With who?” And I thought, this person’s funny. Uh-oh, I love her.
Glennon Doyle:
Uh-oh, I love her. This person’s funny. Oh-oh, I love her. What was the story about the Lana Del Rey concert?
Megan Falley:
That was the date. I was a big Lana Del Rey fan. I wrote a little collection of poems about her, and Andrea knew this, and so asked me if I would want to come to Colorado, because I lived in New York at the time, and go see her at Red Rocks. And if you don’t know, that’s the most incredible music venue in the world.
Abby Wambach:
It really is.
Megan Falley:
I was very excited for that date with that person.
Andrea Gibson:
We had front row seats. Yeah, it was-
Megan Falley:
And then the morning of the concert, I wake up so early and excited and I check my phone to see, okay, what time does it start? How far is it away, or whatever? And it’s May 13th. And I see that the concert was on May 12th and I was like, “Wait, was there two nights?” And then no, there were not two nights, so we’d missed the date.
Megan Falley:
But sometimes I wonder-
Andrea Gibson:
I messed it up.
Megan Falley:
Sometimes I wonder, we ended up having such a good night. Andrea was so worried I’d be so disappointed and stuff, and we had such a beautiful night. I think I just complimented you for 10 hours.
Andrea Gibson:
Which is my ideal date.
Glennon Doyle:
So listen to this. This is what Megan wrote about that night. I woke up Christmas morning, excited, checking her sight for the details, Lana, only to realize the concert was the day before. You thought I’d be so sad, but I spent the evening falling, never look back, in love with you. That was eight years ago today. Best concert I never went to. So much music.
Abby Wambach:
Fuck.
Glennon Doyle:
That’s not even a poem of hers. That’s a fucking Instagram post.
Andrea Gibson:
She burps this stuff. I swear to God, what you were saying about her writing earlier, I think that she is maybe the most talented writer I’ve ever known in my life, and it is so easy for her. I could pull my hair out watching her. It’s just so easy for her. I do not have that relationship with writing at all.
Glennon Doyle:
Well, and you only know so few words.
Andrea Gibson:
Well, that’s true.
Glennon Doyle:
She knows so many. That must be annoying.
Andrea Gibson:
Because if I’m reading and I get to a word I don’t know in a book, I think, why on earth did this writer put this word in here? This is ridiculous. I’m not going to the dictionary. I skip it and I move on.
Glennon Doyle:
I like that.
Megan Falley:
So look how much success you can have as a writer with knowing so few words and reading so little.
Glennon Doyle:
Really? Are you not a big reader, Andrea?
Andrea Gibson:
I used to read constantly all the time, and then I went through a period with Lyme disease where it was difficult with my vision to read, and then so I stopped reading for a while. Now I listen to a lot of audiobooks and stuff like that. I read poetry, but I’ve rarely read these days, and it’s even been much different since my diagnosis too. I describe it to Meg as like, I just don’t want to spend my time looking down. I just want to spend my time looking out at the world.
Abby Wambach:
That makes a lot of sense.
Glennon Doyle:
Is Megan the one that told you your diagnosis, or no?
Megan Falley:
Yeah. Yeah, well, I didn’t diagnose Andrea.
Glennon Doyle:
On cancer?
Andrea Gibson:
I’m trying to figure out what diagnosis we’re talking about here. I have a whole collection.
Glennon Doyle:
I get it.
Megan Falley:
We decided beforehand, because Andrea would still be under anesthesia when we found out what it was, and we decided beforehand that I would tell Andrea.
Andrea Gibson:
And so, I woke up and it was my mom and Meg beside the bed. And Meg has all of these, saw so much that I didn’t. She was there watching my parents’ reaction, all of this stuff that I had no idea about actually until I started reading the memoir that she has been writing. And so, I woke up and Meg told me, and she knew exactly how to say it. And I just felt okay.
Megan Falley:
Yeah.
Glennon Doyle:
How are you doing Meg, lately? How are you handling everything?
Megan Falley:
Do you want to tell them your news?
Andrea Gibson:
Oh yeah, I can give you an update on my health, and then would that be helpful first?
Glennon Doyle:
Please.
Andrea Gibson:
Yeah. I think the last time I spoke with y’all, we went in to the doctor. They said that at this point it’s considered incurable, and they could offer me some drugs that had just come out of trials or were in trials that could potentially prolong my life. The problem was that they had very little chance of me responding to them, and they came with a slew of side effects, scary ones. And so, I didn’t do anything. I was like, “I’m not going to”, because I was feeling so good, physically so good. I wouldn’t have known I had cancer, and I didn’t want to go back on drugs. So it took me a couple of months.
Andrea Gibson:
I did some alternative treatments, and it took me a couple of months to figure out what I wanted to do. And I was just trying to be patient with it and not be so terrified of the cancer, that I just jumped on something. I had friends doing tons of research and looking into things. We got this tumor test back that said that I was a really good candidate for the drug that I really didn’t want to do. And I really didn’t want to do it, because its primary side effect was that it can take a lot of your vision. People describe it as, if you completely fog up your glasses and you look out through your glasses, that’s what it can be like. And it can be permanent. Even if they take you off the treatment, it can stay. They said they couldn’t guarantee that it wasn’t.
Andrea Gibson:
But ultimately, that was what was holding me back. And then one day I realized that I had to check my own ableism, because I had had this idea in my head that if I couldn’t see, then my life wouldn’t be worth living. And then I started thinking about folks who years ago started asking me to put image descriptions on my photos online. If people don’t know, you can do that in the background of all of social media, which I’ve been doing ever since. And I started thinking about those folks and I’m like, “I’m not going to not opt for an option that might prolong my life, because I might not be able to see millions of people have beautiful, beautiful full lives, and can’t see.” And so, I went on the drug after I had that realization. And the first treatment, we didn’t quite know what it was doing.
Andrea Gibson:
And then three weeks ago, we went in and got the results of my second infusion. And this drug is like a chemo, but it’s different. It doesn’t go in and take everything in your fight, every fast-growing cell in your body, it directly targets folate receptors in the body, and they’re in the eyes. That’s why it impacts your eyes. But we went in three weeks ago, and we found out that my cancer marker after the second treatment had dropped all the way down to the number it typically is when there is no evidence of disease in my body. And that was after the second treatment.
Andrea Gibson:
I could feel the tumor on my rib on my liver. I could feel that it was no longer there. I had been talking about it a lot. And Meg and I, we couldn’t believe it. And I go in tomorrow for another infusion, and we could go in tomorrow and they could say, “Okay, it’s growing again. This treatment isn’t working.” But as of right now, the last information that we got was that my cancer marker is way, way down, and I can feel it physically that this tumor is no longer here. So that’s where we’re at with that. And that drug had, what did they say? It had just come out of trials a couple months before, and it had a 30% chance of me showing any response at all. So that’s where we’re at. It’s part of our happiness today.
Glennon Doyle:
Okay. Okay. How are you, Megan?
Megan Falley:
That day I actually pulled over to the side of the road, got out of the car and jumped for joy. And I don’t think that I’d ever physically, I’ve heard that term before, jumping for joy. I don’t know that I’d ever actually seen it in action, but that’s what happened. But I think even more than that, what’s true is the last, and Andrea talked about this before with y’all, but I can corroborate the story, is that the last two years have been some of the happiest years of, I mean, definitely our relationship and lives. The night before or maybe two nights before Andrea’s second surgery, after the first recurrence, I bought a convertible, because a while ago, because when Andrea was sick, it was a way to be out in the world when we couldn’t really be out in the world. And we were driving at night and somehow Shania Twain’s, Still the One, comes on and we’re-
Glennon Doyle:
So good.
Megan Falley:
… full blast singing it to each other just in the streets of Colorado, ignoring any onlookers complete, I always say Andrea is the most earnest singer, because it’s real eye contact, and it’s coming from the soul.
Glennon Doyle:
Oh, no.
Megan Falley:
Yeah, exactly, Glennon. It’s a mix of, yeah, I guess it’s like the arm lick. You’re like, “Who can get away with this, but you?” It was just so completely earnest and we were having so much fun, and we’ve had so many dance parties and so much access to joy, and way more than we had before all of this. That’s not to say when we had the day where the doctor said it was incurable and I’m weeping and can’t speak in the office, but that night we’re dancing. And I think this is less maybe a skill of mine and more of a genetic anomaly, but I really don’t worry.
Glennon Doyle:
I wanted to ask you about that, because that feels aggressive and ridiculous. And what is that like and what is it like to be a person who doesn’t worry with Andrea?
Megan Falley:
Yeah, opposites attract. And I think though you do worry a lot less now, I think it might be an ADHD thing, I don’t know, but I really am dealing with whatever’s in front of me at the time. So as Andrea said, they were feeling really well. When that’s happening, why would I exist in a moment that’s worse? I don’t know. I think I’m probably lucky. I want to say I worked really hard to get here, but that’s just how my psychology works. And I wish it was a gift I could give to other people, because it seems easier.
Abby Wambach:
Okay, I have a question, because I think this is interesting. When I met Glennon, I would’ve considered myself, at least when I got sober, I would consider myself somebody who just, I’m not a big worry wart. That’s not what I do.
Glennon Doyle:
I fixed that. I fixed that.
Abby Wambach:
Very much like you. And Glennon is on the opposite side, so of course we’re attracted each other. And now that Glennon is in therapy and is starting to release and see and surrender control, her anxiety and worry is lessening. I don’t want to mischaracterize this.
Glennon Doyle:
Yeah, yeah, that’s right.
Abby Wambach:
It’s lessening. And so, I am starting this interesting balancing act. I’ve started to think more proactively, more about the totality of our ecosystem, because I know deep down that she isn’t doing it like she used to. She’s the protector. She’s the one who’s going to worry for us. So I wonder if that dynamic is any way similar for you two.
Andrea Gibson:
I think that Meg has never worried. I mean, I used to think, what is the species of person?
Abby Wambach:
It’s so awesome.
Andrea Gibson:
It is just so odd. And at times, I found it rude.
Glennon Doyle:
It’s reckless.
Andrea Gibson:
I found it problematic, I found it dangerous. And until I had the experience of letting go of control and surrendering to this whole experience of cancer, and then realizing, wow, life is so much more doable. And not only that, but what you’re talking about, Abby, I feel like I have far more access to actually showing up to the fact that the planet is burning and that stuff, while I’m not worrying. I think that we think that worrying is what will help, but that wasn’t the case for me. I think that maybe it is for some people.
Glennon Doyle:
Meg, so if you’re only focused on what’s in front of you, that works well if the thing in front of you is good. What about when the thing in front of you is bad? Like you got good news. This is good news, and Andrea-
Abby Wambach:
I don’t want to gloss over the ridiculousness of the, I’m so happy for you both.
Glennon Doyle:
Before, when you get terrible news, are you also only surrendered to what’s in front of you in the terribleness? Because hope is like worry, but the opposite. It’s jumping ahead to the next thing. So do you do that when what’s in front of you is terrible? Or is your strategy, I’m going to be completely surrendered to what’s in front of me, whether it’s positive or negative?
Megan Falley:
That’s a great question. I don’t know if you have a better lens on me than I would in that way. I do think I lean hopeful, but that doesn’t mean when I’m in the office and the oncologist is saying that thing, in my brain I’m not saying that’s not true. I’m accepting what she’s saying, and having my emotional response to it. And then I think, maybe a bit later in the day or the week or something is when I’m saying, look at us now, and we’re dancing and we’re so in love. So yeah, I guess I hold the hope more than other things, but I don’t feel like it’s coming from a place of utter denial. Also, Andrea to me is the most miraculous person I’ve ever known. I feel like timing and miracles and stuff just happen around them, and because of them.
Megan Falley:
And I was thinking the other day about how when the doctor said it was physically impossible to run a four-minute mile, there were just physicians said, “There’s no way. Your heart would explode.” And then somebody did it, and then tons of people did it, because it happened for the first time. So I think my perspective in all of this is to keep putting ourself in the way of miracles, and that if they happen to anyone, it’s certainly Andrea. So I guess I do lean hopeful, but the worry thing never worked for me. It just shot on whatever moment I was in.
Glennon Doyle:
It’s never worked for any of us, but that doesn’t keep most of us from persevering. I think that, that’s wonderful.
Glennon Doyle:
Do you feel surrendered to hope right now? Or do you feel scared of hope? Is there any part that braces for the hope not being real, do you feel scared of it or are you fully embracing it?
Megan Falley:
I know a lot of people are terrified of hope, because they feel like it can be a letdown. I’ve heard that a lot, it’s further to fall or something. And for me, I don’t have that experience, because hope makes the present more beautiful. And so, I think when we’re worrying, we’re preparing ourself to handle a future emotion. And when I’m just remaining hopeful, I’m in control of the emotion that I have right now.
Abby Wambach:
That’s good.
Glennon Doyle:
You’re so sane. What was your conversation when you left that freaking doctor’s office with the markers being so low? What do you two say to each other on the car ride home?
Andrea Gibson:
We were probably trying to find a minute to talk, because my best friend was in the back seat screaming about how wrong the doctor was. And the conversation, I don’t know if I said this out loud to you, Meg, but it was the very first time that I had the thought since the two years since I had been diagnosed. It was the very first time that I had the thought, I might live. And I don’t know why I had that thought. I said I don’t know how, I know that it’s… I don’t know what it is, 1% chance, but I felt into that 1% chance. And then our conversation was largely about it being in my hands now. I had given my power away in regards to my choices. And I knew from that point on, it was my choice to make and our collective choice to make.
Andrea Gibson:
I would make those choices with my friends, including my screaming best friend in the backseat. We walked out of the hospital, we were over in the coffee shop. There was-
Megan Falley:
Immediately got coffee or tea.
Andrea Gibson:
Immediately got tea. I think I may have written you about this, Glennon.
Glennon Doyle:
Yes.
Andrea Gibson:
We’re in line at Starbucks, and this man and I both asked for the bathroom key at the same time, or the bathroom code. And then we looked at each other and we literally sprinted in a race to see who would beat each other. And then we both get there at the bathroom, and we’re just falling over ourselves, laughing. And it’s one of those moments where I’m like, “I’m laughing.” I cannot tell you the amount of times in these last two years that I’m laughing, and how am I laughing right now? How am I laughing right now?
Megan Falley:
I remember right after your first surgery, for Andrea actually laughing became very physically painful, because they had scars and organs and stuff removed. And the amount of times Andrea was saying, “Ow, stop”, because we were laughing so much, it was such a gift for the surgery, because it was almost like this alarm of, “Hey, you’re having joy right now. You’re having joy right now.”
Abby Wambach:
No way. Oof.
Megan Falley:
The pain was in a way a constant reminder of joy.
Andrea Gibson:
And she brutalizes me with her humor. I can’t have a cold around her. I can’t have a stomach ache. I can’t do a surgery and be around this person, because she makes me laugh so much that I get so mad, because it’s so painful and I can’t stop laughing. It’s harmful, it’s dangerous and harmful.
Megan Falley:
Cancel me.
Abby Wambach:
Oh, that’s good.
Andrea Gibson:
I’m going to cancel her, because of her harmful… It’s awful. And so, I told her if I ever get COVID, I had previously wanted her to stay and get COVID with me, but now she’s gone. She’s kicked out of the house.
Glennon Doyle:
Fair. You laugh in the midst of all of it. Your love story is otherworldly, it’s so beautiful. Do you fight like normal people, even in the midst of all of this drama and trauma, or is that something that goes away, like it doesn’t matter?
Megan Falley:
Well, we used to fight before this, like abnormal people. We used to fight a ton-
Glennon Doyle:
Oh yeah, there’s poems about that.
Megan Falley:
… before Andrea’s diagnosis. Yeah, we celebrated fighting in a way, or we found a way to in writing and stuff, but it went away. I mean, of course everyone’s going to have some stuff, but the amount that any arguments, all the pettiness just really reduced so much. And I think what largely happened was our appreciation for each other kicked into high gear with the diagnosis. What would you say?
Andrea Gibson:
I would say that we used to argue a lot. I mean, especially when we were going through the time of the pandemic and we were both home alone and with each other almost 24 hours a day. And then after the diagnosis, I try to explain this, but it was almost as if I was seeing Meg as if she were a new person. And I had heard this thing years ago. Oh, I think I learned it in college of our greatest human desire is to be known. But there was something about, right when I was diagnosed, where I realized that the best way to know somebody is to unknown them, to see them as a mystery, to not expect the same patterns. And what’s really beautiful about that is, as soon as you stop expecting the same patterns, that energy almost creates this world in which the person no longer does the thing anymore, or has more of a capacity to not do it.
Andrea Gibson:
But I remember just being overwhelmed with just watching Meg walk through the house and thinking, who is this person, who is this mystery walking around in here? And I had years ago heard a poem by Mary Oliver talking about her partner at the time, and it was called The Whistler, and I think they had been together for decades. And then one day Mary walks downstairs and hears Molly whistling, and she had never heard her whistle before. It’s such a beautiful poem. It just talks about how there is so much to uncover in a person, even decades later. We only know a fraction of them. And I feel like there was something about that energy of just feeling like you were new. But the other thing is, we both grew so quickly in such a short amount of time. And I’ve seen friends who one person is growing and the other person isn’t, and the relationship falls apart. And I think that we both grew in the exact same moment, and we have been growing since. I think that’s a lot of what has kept our love feeling very vibrant.
Abby Wambach:
Do you have certain conflict styles? What would you say each of your conflict styles is?
Megan Falley:
For sure. Well, I’m always right.
Glennon Doyle:
See, that’s hard.
Megan Falley:
Yeah, I’m always right and perfect. And then thus, when somebody has a problem with me, I have to tell them why they’re wrong.
Glennon Doyle:
Right. You’re like a lawyer and you prepare your case for yourself, instead of trying to actually fix the conflict, because that’s what I’ve learned that, that’s actually not conflict.
Megan Falley:
Lawyer sounds like you have to prepare. This is just logic.
Glennon Doyle:
Wow. You just did it to me, so I get it.
Megan Falley:
Yeah. And Andrea, you in the past have been much better at expressing the full spectrum of your emotions and stuff. And I go right to the brain, heady experience.
Andrea Gibson:
The other difference is, Meg has this thing that she calls going to the basement, or we learn to define it as going to the basement. And so, I always think of conflict as, this is what we’re doing for intimacy. If we’re going to do this so we can be closer so we can understand each other. And I think when Meg and I got together, she had this idea that if you’re in a very healthy relationship, you never argue, you never have anything to process. And I don’t do the same thing now, but for a lot of years I could think of no better way to spend my day than to spend three hours processing one tiny thing, until she fully understood how I was actually right about everything.
Glennon Doyle:
It’s like, it is not enough for me to understand you. I want to overstand you.
Abby Wambach:
Yes. It’s good.
Andrea Gibson:
Yes. And Meg, talk about your opposite inclination.
Megan Falley:
Well, you’ve actually always said, it’s almost like I’m a husband in this way. I am like, “Let’s put on the TV and kick back, and this is fine.” Yeah, the emotional, I’ve gotten better at it. And you’ve gotten better I think at relaxing a bit too. But Andrea actually helped me learn by prefacing some of our arguments with, I’m bringing this up, because I want to be closer at the end of it and that really opened me up to the whole talking thing.
Abby Wambach:
It’s good. Andrea knew what your attachment style was. And Glennon’s attachment, her ability at the beginning of our relationship to show up in a conflict and say to me, “I’m not going to leave you. I just really need to talk about this thing that’s happening. It’s really important to me.” Because I was just afraid, huge fear of being left. It’s very cool that they were able to do that for you, Megan, to get you onto the side of this processing lesbianism that we live.
Megan Falley:
Well, and you too. The gorgeousness of it, having a safe container of, yeah, removing that thorn of potential abandonment where only your defenses are going to go up.
Abby Wambach:
Totally.
Megan Falley:
I think that’s a good takeaway for anyone.
Abby Wambach:
Glennon and I fought a lot in the early days. In the first two years it was like throttle on, and we were just in a total power battle. And then I don’t know what happened-
Glennon Doyle:
We just went dead inside.
Abby Wambach:
I just think it stopped. We were just like, “Oh, you’re not going anywhere. I’m not going anywhere. We’re just going to talk.”
Glennon Doyle:
I think we were trying to change each other. I think we were trying to change each other for two years, and then we both stood strong.
Abby Wambach:
We did. Good job.
Glennon Doyle:
And then we gave up.
Abby Wambach:
And then we’re like, “Okay, we’re going to let you be you.”
Glennon Doyle:
Yeah, I guess.
Abby Wambach:
We’re going to let you be you.
Glennon Doyle:
Yeah, we surrendered. Good for us.
Andrea Gibson:
There’s a song like that. But I thought we thought it was happy at first. Why don’t you be you and I’ll be me? I don’t know, we thought it was happy, but then we realized it was a breakup song.
Glennon Doyle:
Oh, wait, what song is that? I knew in my head that, that’s a good song.
Megan Falley:
James Bay.
Abby Wambach:
James Bay. Yeah. It’s good.
Megan Falley:
I love that song.
Glennon Doyle:
Oh God, that song is so sad. It’ll just crush you. What do you feel like you have learned? What do you know that you didn’t know before?
Abby Wambach:
Oh, Jesus is good.
Glennon Doyle:
This whole journey, the cancer, all of it. What do you know now that you will take with you that you would never have known, had this not have happened?
Andrea Gibson:
Oh, my goodness. Right now, I’m trying to write a book about it, because it’s so, so much. I’ll say a few things. The first thing that I learned was that I had so much self dislike and self-hate that I wasn’t conscious of. I never would’ve thought of myself as somebody who really disliked themselves. I thought that I had quite a bit of confidence. After the diagnosis where I started to have insights into things and I had a genuine experience of self-love, and I could feel it in how I interacted with the world and everyone I encountered, I realized that loving myself was the same as loving every living being in the world at the same time. And so, that also brought me this insight into the fact, I mean, it’s a bumper sticker that is cringey for some people, we are all one, but I could really viscerally feel the lack of separation between us, and that we’re just all moving energies through each other.
Andrea Gibson:
I think that’s the first one. The second one was that I had, had this idea that challenges weren’t supposed to happen in my life, that if something hard happened, then it wasn’t supposed to be there. And I started thinking about nature and how if lightning strikes a tree down and a squirrel loses her nest, they’re not raging against the situation, they’re just creating with what is there.
Andrea Gibson:
And oh, this other thing that I do, I started doing this pretty soon after my diagnosis where I started thinking about in regards to challenges. I read this thing that said that there’s this Celtic belief that we choose the challenges in our lives before we were born. And I’ve also heard people who have had near death experiences, say that they were shown that when they were in this other realm. And I started, true or not, if the idea helps you, take it. And it definitely helped me.
Andrea Gibson:
And I started interacting with everything that came my way as if I had chosen it before I was born, so I could interact with it with curiosity instead of just stories about it being unfair. And there’s so much, I mean, I could talk forever on what had changed, but I would say at the core of it was a sense of self-love that I had never known existed, and I just didn’t know how shame was the lens through which I was seeing much of the world, much of my life and the people around me, almost like I was circling back into my wounds and my psyche, and to look through those wounds before I looked out at the world to decide how I was seeing something out there. And now it almost feels like an experience of being life, looking out at life, and wanting to, whatever parts are Andrea, just in my best moments, feeling them just completely fall away. I think I said something to you last night that was goofing about that.
Megan Falley:
We’re about to fall asleep, and we’ve been doing this thing where we’ll just be loving glances and we’ll just look at each other in the eyes in silence, like how you would look at your dog basically. And it’s really, really nice. We’ve invented a new love language, I think.
Abby Wambach:
Loving glaces.
Andrea Gibson:
Loving glances.
Glennon Doyle:
Loving glances.
Megan Falley:
But I did it to Andrea. I said it to Andrea yesterday and Andrea goes, okay, now drop away all of your humanness, and look at me directly from your soul. And I was like, “What the fuck?”
Abby Wambach:
I love it though. Listen, I think what they’re talking about and the book that you’re writing, Andrea, I’m so excited to read it-
Glennon Doyle:
Me too.
Abby Wambach:
… because what you’re talking about is something that I’ve been complicating myself, and not to the degree that you have, but with extreme sports and having to push your body. You have to make up this whole different narrative to do hard shit. That’s what you’re doing, and you’re doing it in this beautiful, energetic way, like what we need to figure out here. And because we’re all down here, and the tree gets hit by fucking lightning and falls down and your house is in there, and you’re like, “I got to rebuild my fucking house.” I can be pissed at the lightning the whole time I’m rebuilding this house. Or I can just be like, “All right, where’s the wood?”
Andrea Gibson:
Yeah, absolutely. And I think that what you’re talking about in regards to athletics, I think both Meg and I have encountered this in the last two years, that there are ways that we’re pushing ourselves physically. I’m working with this one alternative doctor who is trying to educate my immune system. And so, I’m working out three times a day, and then I’m also doing cold plunges that I hate. And I think that there is something, and Meg as well has been doing this stuff, and I think that there is something about doing that kind of thing that actually then teaches your emotional self to have resilience.
Abby Wambach:
Yes.
Glennon Doyle:
Yes. That’s what’s happening for me with that fucking cold plunge, because she always wants to do this stuff, and I’m like, “No, thank you, to all the wellness.” I’m just trying to actually, do I have enough serotonin? I’m at level one. Okay, I don’t need to be well, but the cold plunge, it’s because it teaches me how to stop freaking out and just breathe. And that’s really what I need to do all day. So that’s why I think it’s helpful.
Abby Wambach:
I know, but scientifically it also teach you-
Glennon Doyle:
I know, but I don’t want to talk about science.
Abby Wambach:
… but the dopamine, and-
Glennon Doyle:
I know, it’s like science.
Abby Wambach:
… your body is learning how to fight for its life for those three minutes and a little bit after, and it’s amazing.
Glennon Doyle:
Yeah. And also, when Andrea said to Megan, please just now drop yourself and look at me like you’re looking at a soul. That’s what I mean when I say to you, I need it to be more Care Bear Stare. That’s what I mean.
Megan Falley:
I like that phrasing way better.
Glennon Doyle:
The Care Bear Stare, when it’s like you’re shooting rainbow love into my eyeballs. If I’m not seeing enough Care Bear Stare, that’s what I mean.
Andrea Gibson:
I’m going to use that term from now on.
Glennon Doyle:
Thank you.
Megan Falley:
That’s going to work with me as a ’80s baby. Yeah.
Glennon Doyle:
Yeah. What did you say to Andrea when Andrea said the thing about, look at me with your soul?
Megan Falley:
I think I said, “What the fuck?”
Glennon Doyle:
Yeah, that’s good. Okay.
Megan Falley:
And then laughed.
Glennon Doyle:
That’s the only response.
Megan Falley:
And turned over and went to bed.
Andrea Gibson:
No, she didn’t. No, she didn’t. She tried to do it after she said that, she tried to do it, and she did it in a way that, again, made me laugh so hard, I was in pain.
Megan Falley:
Oh yeah, I think I flipped my hair and did it completely demonically.
Glennon Doyle:
Yeah, so good. Okay. I have a few more things that we must get to in the next few minutes. Number one, I need to know what Megan has learned that she will take with her. I also wonder, did you all bring a poem about each other?
Megan Falley:
Oh, yes.
Glennon Doyle:
Thank you. And then thirdly, will you come back, Megan, to talk about your work?
Abby Wambach:
Oh, shit.
Glennon Doyle:
Will you do… Would that be okay?
Megan Falley:
Uh let me think about it, yes.
Glennon Doyle:
Because I just have pages and pages of questions. I just, so many things I have to talk to you about. So would you just come back, just and talk about your poems and your freaking, your nonfiction, what are they called, are they called essays? I forgot. Essays?
Megan Falley:
I don’t know, essay is such a weird word, but I think that is what they’re called.
Glennon Doyle:
I know, right?
Megan Falley:
They make them sound boring, but they’re true stories, chapters, excerpts.
Glennon Doyle:
Yeah, true stories.
Megan Falley:
I don’t know.
Glennon Doyle:
And Drive Here, and Devastate Me, and The Witch, all of it. I want to talk about all of it. So you will? Okay. Yay, that’s good. So now we can talk about the other two things, which is number one, what you have learned.
Megan Falley:
Thank you, Glennon. First of all, I’m very excited, and I do want to show you that you did send me that compliment on my writing on Instagram, and it is absolutely my phone background. I wasn’t going to be that dorky, but it’s actually really inspiring me every day, so thank you.
Glennon Doyle:
I thought you were going to show me that I had meant to send you a DM and I had posted it on Instagram, because I’ve done that before, so I thought that, that’s what you’re about to show me, so I’m so happy right now.
Megan Falley:
You did it right.
Glennon Doyle:
Okay, great. Great.
Megan Falley:
I’ve been, I think, blessed to be the main benefactor of the trickle-down theory of Andrea’s wisdom and knowledge for the past two years. So everything that they said, I will co-sign as having impacted me as well, especially the idea that a situation happens and then there’s an emotive prescription of how we’re supposed to feel, so that, that’s not true, that you can get the cancer diagnosis and sing Shania Twain at the top of your lungs. That’s definitely been a learning. But I think, the main thing that’s individual for me is, when Andrea got this news of like, “You have to really take care of your body now”, and our bodies are just so temporary. And one night we were talking about, I asked Andrea something like, “Is it hard to lose your hair or your eyebrows”, whatever. And Andrea said, “I just want to have a body. I don’t care what it looks like.”
Megan Falley:
And I had spent my, since I was nine years old, hating my body and feeling like I could hate it and shame it into some kind of submission or just, I certainly never thought of it as a temple. And something about Andrea then being throttled into this place where taking care of your health is so crucial. And there were a lot of ways in which Andrea, 13 years older than me, on chemo, post hysterectomy, with cancer and Lyme disease, all of this, was actually healthier than me, more energy and everything. And I never expected what happened to happen, but I suddenly started to really love my body first, and then take care of it subsequently. And I realized I had a theory that shame and hating yourself were not the ways to heal anything, but I think then I really learned it in real time, and that’s been a ride, for sure.
Glennon Doyle:
Wow. Okay, so I asked if they would bring a poem that made them think the most about each other or most encapsulated the other.
Andrea Gibson:
Do you want me to go first?
Abby Wambach:
This is just how it feels.
Megan Falley:
I think they should go first. Andrea’s is so profound and beautiful and quite a bit longer than mine, and mine’s making fun of them.
Glennon Doyle:
Okay, so now we’re going to see what the Shania Twain experience was. It’s going to be-
Andrea Gibson:
This is how we roll. I am deep and she makes fun of me, and that’s what is the glue that keeps this together. This was originally a 15-minute poem. This is originally a 15-minute poem. I’m hoping I got it down to four, which is still a bit longer, maybe three, we’ll see. But it was one that I wrote after my diagnosis. And people argue with the first line, but Wellbutrin is used off label for ADHD. This is called Guardian Angel Fish. I’m nervous. Like the first time on a mic, I’m nervous. I’m nervous, because I know I’m going to cry. Wellbutrin works wonders for her ADHD, but she calls me well Gibson, because I make her happy. I make her happy. Is there anything left to do in this life? I don’t think so, except maybe adopt a fourth dog, which we both know she will find, because I pull over when I see a stray, but she pulls over, learns parkour, scales a building and pole vaults between rooftops, returning with another furry bundle, freckling her in fleas.
Andrea Gibson:
She also follows me everywhere I go. I don’t mind that it’s only to put lids on everything, I don’t. What can I say? I’m an open person. So is she. She doesn’t just see people at their best. She sees people at the best they haven’t been yet, which is why she loved me long before I loved myself. Thank goodness, I figured that out. Beating yourself up is never a fair fight. Those gloves fit no one right, and she always deserved the me who didn’t have to squint through bruised eyes to see her clearly. And how could I not want to see her clearly as she pole dances on the tractor, mows our lawn in a bikini, rolls out a red carpet to escort the mice back to the pastor, teaches spiders how to weave their webs outside. And the ants… Okay, the ants she slaughters with every weapon she can find, but I forgive her, because she forgives everyone so easily.
Andrea Gibson:
Watching her do it is like watching paint dry. There’s nothing to see. Everything is just more colorful after. This morning while I was trying to figure out what kind of fish everyone in our family would be, I asked her what she would be, and she said very seriously, “Hold up, let me Google the sexiest fish. Oh wait, the most beautiful fish. Oh wait, there’s an angel fish. I am the angel fish.” I know there are more fish in the sea, very beautiful ones, but she’s a catch I will never throw back, because there is no one like her anywhere. She minds her own business, changes her mind as often as she needs to, and she never, ever lies, which irritates me, because she also edits my poems. Can’t keep the look off her face when I use adverbs. How could I not write the word beautifully while she’s sitting beside me, but beautifully doesn’t bug her nearly as much as honestly, which I honestly begin half of my sentences with, and she’s worried that suggests the other half of what I say is a lie.
Andrea Gibson:
But here’s what I figured out today, I am a liar. I lie all the time. The other day I said, we will all have to say goodbye sometime. That’s not true. Saul Williams was right when he said, “Only believers in death will die.” I don’t believe anything could take me away from her, nor would I want it to, but it wasn’t always like this. There were many months we were more flammable than Instagramable, but we were creative about it. Spent an entire summer arguing via badminton so we could drive the birdie of blame at each other’s skulls. I was going to leave that out of this, but this isn’t only for us.
Andrea Gibson:
It’s for everyone we can convince to not wait for a tragedy to stop calling it zero, zero when it could so easily be called love, serving love. I had no idea how much would change, when all that mattered, became all that mattered. These days, our biggest arguments happen on our daily walks near the lake. I always want to walk back the same way, which she doesn’t enjoy. “I like to circle”, she says. We can’t agree, because I want to do it all again. See it from another angle. The back of the coffee line where she didn’t know me, but told me I was ordering the wrong drink, the back of my hand where I first wrote her name so I could remember her birthday when we were still friends, the back of her arms where she tattooed the longitude and latitude of where we first danced, the birds flying backwards back to the cold, just like her racing home from her lunch in the sun when I called to tell her what the doctor had spotted on the cat scan.
Andrea Gibson:
When I called cancer, the big C, she is the only one who knows I mean the big ocean where we met our own Titanic and didn’t sink. She even managed to convince me it was a good idea for us to dress up as Jack and Rose on Halloween, though my baldness was in no position to pass up an opportunity to wear a wig. I was a bit nervous to play the part of the guy who dies. But I wasn’t really Jack, I was Rose. And her heart was the door that opened so wide, it tore off its hinges and kept me afloat, even as I woke up from surgery and asked her what they found. Anyone who thinks poetry is frivolous, has never needed someone to tell them something unspeakably hard, beautifully. My guardian angel, my guardian angel fish, you will never not be swimming beside me. We will never not be swimming beside each other, just like I will never be done writing this very long love poem for which this is only the prologue, baby. I’ve barely begun.
Glennon Doyle:
Doesn’t it just make you want to be-
Abby Wambach:
Oh, my God.
Glennon Doyle:
… pay attention like they do. Are you okay?
Abby Wambach:
That was just-
Glennon Doyle:
I know. Okay, Megan, go on.
Megan Falley:
That’s my personal favorite of theirs no bias or anything. I just-
Abby Wambach:
You don’t know that Titanic is my favorite movie.
Megan Falley:
It is, Abby?
Abby Wambach:
She was right.
Megan Falley:
Abby, it’s my favorite movie in the entire world.
Abby Wambach:
I saw it three times in the theater. Oh, my God, I get it.
Megan Falley:
I cried so much that the woman sitting behind me, I went with my mom. I mean, I was nine, and she suggested that my mom take me out of the theater, and I turn around and go, “No.”
Abby Wambach:
Holy shit.
Andrea Gibson:
I’ve been reading about how when you die, you meet these guides, who knows what’s true after, but that you have guides that help you move through the afterlife. And two nights ago I asked Meg who her guides would be, if she has any sense of who her guides are, and what did you say?
Megan Falley:
At first I said the Spice Girls. And Andrea rolled their eyes at me and they were like, “No, come on, I’m serious.” And I’m like, “I’m serious. It’s the Spice Girls.” And then the two people who died holding hands in the bed in the Titanic and went down together, and then Andrea goes, “That’s brilliant.”
Andrea Gibson:
Because it’s so her, and those are absolutely her guides.
Glennon Doyle:
Megan, can we hear yours?
Megan Falley:
Absolutely. Mine is on the lighter side. I’ve written a lot of love poems about Andrea. I think a whole section of this book is love poems, but this is about one of two or three times that Andrea and I have been riding our tandem bike, and Andrea peed their pants on the tandem bike.
Glennon Doyle:
Oh God, I love this one.
Megan Falley:
The love of my life has pissed themselves upon our tandem bicycle exactly two times, both while crossing a major intersection and leaving me to haul the clunky metal beast between my legs, like a dying horse across the glaring traffic alone, while they sit on the curb laughing like a stalled engine and a wet spot blooms on their tiny, perfect ass. All the while they’re shouting, “I’m having a panic attack. I’m having a panic attack.” As if they were the one left for roadkill.
Megan Falley:
Earlier, we were debating the clock of love, how one’s heart becomes a flat tire once someone has seen you for the lemon you are, or no longer peels their eyes from their book when you undress. All day I’ve been thinking, I’m a lousy poet, so I’m looking for the metaphor here. Is love a tandem bicycle, both people with one destination in mind, but someone always a little ahead? I’d prefer to think of love as a sociable bike, side-by-side. But love is more honestly the swatch of urine on the pants, born from a blushing, a bliss, a surprise, sometimes uncomfortable, often embarrassing, but how when it comes, you know you are going home.
Glennon Doyle:
God.
Abby Wambach:
Oh, my gosh.
Glennon Doyle:
I mean, oh my God, you two. Okay.
Abby Wambach:
So good.
Glennon Doyle:
Andrea, you said you could talk about this forever. I just hope that both of you talk about this forever.
Abby Wambach:
It’s all the world needs.
Glennon Doyle:
That’s all you have to do for the rest of your lives, is just love each other and then fucking tell us about it, because there’s nothing more beautiful than you two. And the only reason I’m not panicking now, is because I already got you to commit to another date.
Abby Wambach:
Yeah.
Megan Falley:
So after this is over, I can pause it and then just ask you guys questions for an hour, is that what you’re saying?
Glennon Doyle:
Oh, sure. Or we can do another double date. We’ll get, put it on the books.
Megan Falley:
Oh, my God, please. I will say before we got on, because I read Untamed, but in the last two days I’ve been listening, Abby, to all of your interviews, because I wanted to know, feel I knew you in the way that I knew Glennon through her writing. And you at one point self referenced what you were saying as boring, and I was like, “Who is this lunatic to think that any of this is boring.” It was really beautiful.
Abby Wambach:
Thank you. That’s really sweet.
Glennon Doyle:
I’m just so happy. I’m so happy. I’m so happy for you both. I’m so happy for the recent news. I’m so happy that no matter what, if it’s terrible news, if it’s happy news, wherever you are, there’s so much joy and beauty.
Abby Wambach:
It’s super rare. The world needs to know more about you two and how you’re living within this.
Glennon Doyle:
And we love you and podsquad, we will see you back here next time. Bye.
Andrea Gibson:
Thank you so much, y’all. Thank you.
Megan Falley:
I love you guys.
Andrea Gibson:
Thank you.
Glennon Doyle:
We love you back.
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